In the dazzling realm of cinematic excellence, the unveiling of the Oscar nominations 2024 has set the stage for an anticipated spectacle. Leading the pack is the magnum opus “Oppenheimer,” securing an impressive 13 nominations, closely trailed by the compelling “Poor Things” with 11 nods. As the 96th annual Academy Awards approach, the echoes of the “Barbenheimer” phenomenon, featuring “Barbie” and Christopher Nolan’s monumental World War II biopic, resonate worldwide, drawing substantial audiences and amassing noteworthy box office earnings.
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Unexpected Twists in the Tuesday Proclamation
The proclamation on Tuesday brought forth unforeseen developments, most notably the conspicuous absence of a best director nomination for the talented Greta Gerwig in “Barbie.” However, she, alongside Noah Baumbach, clinched a nomination for the film’s adapted screenplay, showcasing their prowess in storytelling. Furthermore, Margot Robbie, a producer for the best picture nominee, faced a notable omission in the acting category, prompting Ryan Gosling, nominated for his portrayal as Ken, to express his profound disappointment.
The Oscar Landscape: Snubs and Surprises
Leonardo DiCaprio, a luminary in the film industry and a past Oscar winner, found himself without an acting nomination this year, despite his compelling performance in “Killers of the Flower Moon.” Conversely, Lily Gladstone, DiCaprio’s co-star, etched her name in history as the first Native American to be nominated for best actress, adding a touch of diversity and accomplishment to the prestigious awards.
Noteworthy Nominations and Milestones
America Ferrera, who secured a best supporting actress nomination for her role in “Barbie,” rebounded gracefully after being absent from the Golden Globe nominations. Justine Triet’s nomination for best director for “Anatomy of a Fall” marks a significant milestone, as she becomes the eighth woman to earn this recognition, signaling a positive shift in the industry.
The List of Oscar Nominations 2024
Best Picture
- “American Fiction”
- “Anatomy of a Fall”
- “Barbie”
- “The Holdovers”
- “Killers of the Flower Moon”
- “Maestro”
- “Oppenheimer”
- “Past Lives”
- “Poor Things”
- “The Zone of Interest”
Best Actor
- Bradley Cooper, “Maestro”
- Colman Domingo, “Rustin”
- Paul Giamatti, “The Holdovers”
- Cillian Murphy, “Oppenheimer”
- Jeffrey Wright, “American Fiction”
Best Actress
- Annette Bening, “Nyad”
- Lily Gladstone, “Killers of the Flower Moon”
- Sandra Hüller, “Anatomy of a Fall”
- Carey Mulligan, “Maestro”
- Emma Stone, “Poor Things”
Best Supporting Actor
- Sterling K. Brown, “American Fiction”
- Robert De Niro, “Killers of the Flower Moon”
- Robert Downey Jr., “Oppenheimer”
- Ryan Gosling, “Barbie”
- Mark Ruffalo, “Poor Things”
Best Supporting Actress
- Emily Blunt, “Oppenheimer”
- Danielle Brooks, “The Color Purple”
- America Ferrera, “Barbie”
- Jodie Foster, “Nyad”
- Da’Vine Joy Randolph, “The Holdovers”
Best Director
- Jonathan Glazer, “The Zone of Interest”
- Yorgos Lanthimos, “Poor Things”
- Christopher Nolan, “Oppenheimer”
- Martin Scorsese, “Killers of the Flower Moon”
- Justine Triet, “Anatomy of a Fall”
International Feature Film
- “Io Capitano,” Italy
- “Perfect Days,” Japan
- “Society of the Snow,” Spain
- “The Teachers’ Lounge,” Germany
- “The Zone of Interest,” United Kingdom
Animated Feature Film
- “The Boy and the Heron”
- “Elemental”
- “Nimona”
- “Robot Dreams”
- “Spider-Man: Across the Spider-Verse”
Adapted Screenplay
- “American Fiction”
- “Barbie”
- “Oppenheimer”
- “Poor Things”
- “The Zone of Interest”
Original Screenplay
- “Anatomy of a Fall”
- “The Holdovers”
- “Maestro”
- “May December”
- “Past Lives”
Oscars Technical Marvels: Visual Effects and Beyond
The technical prowess of the nominated films extends to the Visual Effects category, where contenders like “The Creator,” “Godzilla Minus One,” “Guardians of the Galaxy Vol. 3,” “Mission: Impossible – Dead Reckoning Part One,” and “Napoleon” showcase the industry’s cutting-edge capabilities.
Musical Mastery: Original Score and Song
In the realm of musical excellence, the nominations for Original Score feature stellar compositions from “American Fiction,” “Indiana Jones and the Dial of Destiny,” “Killers of the Flower Moon,” “Oppenheimer,” and “Poor Things.” The Original Song category boasts creations like “It Never Went Away” from “American Symphony,” “I’m Just Ken” from “Barbie,” “What Was I Made For?” from “Barbie,” “The Fire Inside” from “Flamin’ Hot,” and “Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon.”
Riveting Realism: Documentary Features
The documentary feature film category introduces narratives that delve into real-world stories, with titles like “20 Days in Mariupol,” “Bobi Wine: The People’s President,” “The Eternal Memory,” “Four Daughters,” and “To Kill a Tiger” providing diverse perspectives on life and society.
Capturing Cinematic Beauty: Cinematography and Costume Design
The nominations for Cinematography celebrate the art of visual storytelling with contenders like “El Conde,” “Killers of the Flower Moon,” “Maestro,” “Oppenheimer,” and “Poor Things.” Meanwhile, the Costume Design category showcases the sartorial brilliance of films such as “Barbie,” “Killers of the Flower Moon,” “Napoleon,” “Oppenheimer,” and “Poor Things.”
Animated Delights and Short Film Excellence
The Animated Feature Film category promises enchanting tales with nominees like “The Boy and the Heron,” “Elemental,” “Nimona,” “Robot Dreams,” and “Spider-Man: Across the Spider-Verse.” The Animated Short Film contenders, including “Letter to a Pig,” “Ninety-Five Senses,” “Our Uniform,” “Pachyderme,” and “War Is Over! Inspired by the Music of John & Yoko,” offer bite-sized narratives that captivate audiences.
A Glimpse into the Director’s Mind: Screenplays and Film Editing
The nominations for Adapted Screenplay encompass works of literary transformation, with “American Fiction,” “Barbie,” “Oppenheimer,” “Poor Things,” and “The Zone of Interest” showcasing the art of script adaptation. Meanwhile, the Original Screenplay category highlights the ingenuity of storytelling in films like “Anatomy of a Fall,” “The Holdovers,” “Maestro,” “May December,” and “Past Lives.” In the realm of Film Editing, the nominees — “Anatomy of a Fall,” “The Holdovers,” “Killers of the Flower Moon,” “Oppenheimer,” and “Poor Things” — represent the meticulous craftsmanship behind cinematic narratives.
Sonic Excellence: Sound and Production Design
The nominations for Sound bring attention to the auditory marvels of “The Creator,” “Maestro,” “Mission: Impossible – Dead Reckoning Part One,” “Oppenheimer,” and “The Zone of Interest.” Simultaneously, the Production Design category recognizes the visual architects behind films like “Barbie,” “Killers of the Flower Moon,” “Napoleon,” “Oppenheimer,” and “Poor Things.”
Glamour Unveiled: Makeup and Hairstyling
The artistry of Makeup and Hairstyling takes center stage with nominees like “Golda,” “Maestro,” “Oppenheimer,” “Poor Things,” and “Society of the Snow,” showcasing the transformative power of aesthetics in storytelling.
Global Cinematic Excellence: International Feature Film
The International Feature Film category underscores the global nature of cinema, with nominations spanning “Io Capitano” from Italy, “Perfect Days” from Japan, “Society of the Snow” from Spain, “The Teachers’ Lounge” from Germany, and “The Zone of Interest” from the United Kingdom.
A Glimpse into Short Narratives: Live Action and Documentary Shorts
The Live Action Short Film nominees, including “The After,” “Invincible,” “Knight of Fortune,” “Red, White and Blue,” and “The Wonderful Story of Henry Sugar,” offer succinct narratives that leave a lasting impact. On the documentary short film front, stories like “The ABCs of Book Banning,” “The Barber of Little Rock,” “Island in Between,” “The Last Repair Shop,” and “Nǎi Nai & Wài Pó” provide insightful glimpses into diverse experiences.
The Culmination: Celebrating Excellence in Filmmaking
As we navigate through the diverse landscape of Oscar nominees, we witness a celebration of cinematic excellence, where storytelling, visuals, and performances converge to create a tapestry of compelling narratives. The anticipation builds for the upcoming 96th annual Academy Awards, where these outstanding films will vie for recognition and acclaim.
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